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Within Bvlbancha Public Access' relationships, projects, and within our Indigenous lived experience, we interact with Indigenous Gulf Coast communities. The intensity and visibility of regional change has created an influx of research projects, artists, journalists, and climate solvers engaged in research and storytelling around lived experiences within South Louisiana. These projects often extract time, effort, knowledge, emotions, and stories. This extraction of labor is considered an exchange or investment in research, reports, news, or other endeavors with the potential for impact. Often, this potential for impact fails to materialize into significant quality of life changes in return for inter-generational lived knowledge.
BPA believes we can re-imagine how storytelling and information gathering can be made to be immediately equitable. We see this specific, localized issue within the Gulf South Indigenous communities as a patterned issue of data extraction across minoritized global communities who engage in inequitable intellectual knowledge transfer within research, journalism, and media production activities.
Uke’, the Uma word for “water,” and a transliterative pun of “ok.”
The Uke’ Contracting System is a packaged Joint Authorship Agreement, Copyright Assignment, and Copyright Licensing Agreement to assist those involved in interviews or media co-creation to ensure that the rights to the content fully belong to the knowledge owner and that the material is licensed in a relational way. The Uke’ Contracting System reimagines how storytelling and information gathering can be made immediately equitable. The system provides a utility to define sole ownership of digital content to the knowledge holder at the initial fixation of copyright for sound, video, and image recordings. After the copyright is defined, the owner can then choose to license the work to others for specific and limited uses. These limited licenses requires reevaluation and relicensing with any new use.
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Uke' 2.0 is currently in a soft launch/beta test as we work out a few form flows. If you want to be part of the development, you can download a draft below, use as you wish and email us with any feedback/revisions/ideas.
If you rather the previous version, click here for Uke 1.0
The Uke’ Contracting System is free and open access through Bvlbancha Public Access under the Creative Commons’ Attribution-NonCommercial-ShareAlike 4.0 International License. The Uke’ Contracting System contributors believe in promoting accessibility to the legal system, increasing creators’ and artists’ agency over their intellectual property, and supporting Indigenous data sovereignty. Through the continued iteration of this contract, we hope to further these goals for all.
Uke' was originally concocted for a collaboration between the Brittany Verdin-Jimenez and Hali Dardar of the Houma Language Project and Claire Anderson of Ripple Effect. Bvlbancha Public Access’ Jenna Mae, Ida Aronson, Jean-Luc Pierite, and Hali Dardar refined the system for use within media projects, leading to support from the Mellon Foundation. In 2025 Hali Dardar launched the first public Uke’ system during an artists residency at A Studio in the Woods. Kurt Naquin field tested the system within their research with Caren Cooper within the North Carolina Environmental Justice Network. The text of this version of the Uke’ Contracting System was created in 2026 in collaboration with Glushko-Samuelson Intellectual Property Clinic at the American University by student attorneys Jacqueline Jedrych and Madeline Stoeri under Nancy Weiss, and with Hali Dardar of Bvlbancha Public Access. The visual metaphor was designed by Hali Dardar within a fellowship from the Indigenous Data Alliance.
Houma Language Project
Ripple Effect
Bvlbancha Public Access
Mellon Foundation Humanities in Place
A Studio in the Woods
North Carolina Environmental Justice Network
Indigenous Data Alliance
American University Washington College of Law Glushko-Sazuelson Intellectual Property Law Clinic